Sneak Preview: The Prologue from Pretty - A Novel from the East Harlem Cycle
Ahead of our August 2021 release date, I thought I'd give followers of the blog a sneak preview of Pretty - A Novel from the East Harlem Cycle. The Prologue of the novel introduces our main character years after the events that take place in Parts One, Two, Three in the novel. The old man is on his way to a wedding in Westchester, and as the book begins he's making his way from a brownstone on 118th street to the MetroNorth station at 125th Street and Park Avenue. He eventually arrives at The Kittle House in Chappaqua, where he comes face to face with a piece of his own past.
When I began thinking about writing a historical novel, I kept coming back to something that the great Italian director Sergio Leone once said: a story needs a beginning, a middle, and an end, but not necessarily in that order. With that in mind, then, from a chronological standpoint, the Prologue is actually the end point of the story.
Of course, as the novel begins, we find Pretty's story unfolding against the backdrop of the waning days of the Schultz organization in the fall of 1935. However, as the narrative develops, the reader finds himself being borne back to where it all began for Pretty: as a young man named Orlando Fuentes arriving in East Harlem from San Juan for the first time as the decade of the 1920s beckons. . .
******
PROLOGUE
The old man stepped out
of the three-story brownstone with the faded brickface that stood in the middle
of 118th Street between First and Pleasant Avenues. He locked the
door behind him, then shuffled over to the iron fence that surrounded the small
concrete yard and lifted the latch on the front gate. He stepped quickly out
onto the sidewalk, closed the gate behind him and looked down toward Pleasant
Avenue before he turned and began walking up to First. He tipped his 8-piece
pie cap to Annie, Pete’s sister next door. She held up the end of a green
rubber hose that she was using to clean off the sidewalk so that the old man could
walk past.
He was a few inches short
of six feet and struck a frail figure but his pace was brisk for an octogenarian
who had been smoking since the summer he graduated from Central Commercial. Aware
of his own brittleness, the old man found comfort in the dull, heavy weight of
the sap in the pocket of his suit vest. It tapped playfully against his chest
as he made his way west.
At the corner, he thought
about a nice cup of cool coconut ice from Rex’s but decided against it. The ice
would just end up all over his suit, he thought. As he waited for the light to
change, he looked across the avenue at the peeling moss-green façade of Patsy’s
Pizzeria. The last vestige of the once-proud guinea empire in East Harlem. Well,
Patsy’s or Rao’s. Neither one is Venezia’s, is it? But who cares now, anyway. Most
of the eye-ties are long gone and the dark hordes have got the ones who stuck
around completely surrounded. Jefferson Houses to the South, Wagner Houses to
the North, Johnson and Taft Houses to the West, and the river to the East. A
wop Waterloo. Robert Moses, you clever bastard.
He crossed the avenue,
then walked north up First until he turned left on 124th street. He
skirted the north end of Wagner, passing the public swimming pool that was
already open for the day. From there it was a straight walk up 125th
street to the Metro-North Station. The old man paused to catch his breath at
Park Avenue and gaze on the old flophouse at the southeast corner of the
intersection. He surveyed the weathered
brick that ran the length of the building like pock-marked cheeks that ended at
the filthy, stained windows of the corner bodega that operated out of the
building’s storefront. Two junkie broads leaned on the glass. Or were they
hookers? The old man couldn’t tell the difference anymore. They were dark and ashy and unappealing with
sunken, lifeless eyes. Nothing like Polly’s girls. Nothing like Trish. The
pursuit of happiness gone awry, but to each his or her own hustle.
He crossed over to the
north side of 125th street and walked into the dark, musty main room
of the station. He got in line behind a young man wearing a blue blazer,
burgundy tie, khakis and penny loafers. The young man’s backpack was stretched
to the breaking point by an assortment of textbooks that hung oppressively from
his shoulders so that he hunched at such an angle as to put the old man to
shame. As if the world’s accumulated knowledge wasn’t adequately represented by
the portable library strapped to his back, the boy held yet another book in his
hands.
Latin. Christ. A Jesuit,
the old man thought. And that is probably just his weekend reading. A prepster
from Fordham, most likely, and the little bastard doesn’t dare risk that mule
pack on the subway. He can’t outrun anyone and hell if he’ll leave those
goddamned tomes behind. The little shit probably gets off at the Botanical
Gardens and slinks in through the back before anyone can get a good look at him.
Be careful, kid. Skip the subways and you’ll miss all the fun.
The old man stepped up to
the window as the boy shuffled off to catch his train. He paid for a roundtrip
to Chappaqua, deposited the tickets in his inside jacket pocket and took a seat
on the bench at the other end of the waiting room. It was there on New Year’s
Eve back in ‘30, right there on that exact same spot, that he had spoken to Jack
D. for the last time. Jack had a police guard with him then so no one could
bump him off before they kicked him out of the big town for good. Ol’ Jack
didn’t realize it was the bulls he needed to worry about. What’re you gonna do?
Jack asked. The old man shrugged.
He got up from the bench
and started for the staircase at the far end of the hallway that led to the
elevated platforms above. He climbed the stairs in about 5 minutes flat, then
pushed open the glass door and walked out into the brightness of a fall
afternoon.
With his glasses on, the
old man could see all the way east to the ramp of the Triborough Bridge on
Second Avenue, and beyond that almost to First Avenue and the Willis Avenue
Bridge. The sky was clear and blue and the sun was shining. A pleasant breeze
kept him cool in his wool suit and lifted the voices up to him from the
sidewalks below.
It was a perfect day for
a wedding.
As the old man settled in
to peek into the hotel windows, a horn sounded off in the distance. A moment
later the train slid into the station, cutting off the breeze and all but the
loudest noises from the thoroughfare below. Then the Brewster North train
closed its doors, jerked forward and slowly lurched out of the station. The old
man found a four-seater for himself and sat down in one of the padded blue and
red seats. He took off his pearl grey fedora, an old custom Borsalino number
with a dark grey band, and crossed his legs. With his right foot dangling in
the air, he flipped the hat onto the tip of his black spade-soled Johnston
& Murphy Handmade 100s that had been spit-shined into an ebony brilliance.
Fishing out a
crème-colored sheet of paper from inside his suit jacket and holding it
directly in front of his face, he leaned in with the glasses that were perched
precariously at the edge of his nose. The paper had been folded in half into a little
booklet advertising the Kittle House Inn & Restaurant -- “A House With A Past” -- located in
scenic Chappaqua, New York. The front page had a small photo of the place while
the last page offered high praise for the wine list. The inside of the booklet went
on about the history of the place. The old man’s eyes searched out the
paragraph that had piqued his curiosity and led him to respond yes, he would be
happy to attend the wedding of his grandson on Saturday, the 29th of
September.
Since then the Kittle House has changed hands several times and many enhancements have been made to the building and property. In the late ‘70’s, a beautiful mahogany bar with quite a history of its own was added. The bar, originally bought in England by Fanny Brice as a birthday present for Dutch Schultz, spent some time in Schultz’s Bronx speakeasy before making its way to the Kittle House Tap Room about half a century later.
His first impression,
aside from a sense of indignation at the suggestion that the Dutchman had owned
one lousy speakeasy in the Bronx, was that this was pure and unadulterated
horseshit. Someone had probably read about Fanny’s gift, found an old bar in
some mick dive in Hell’s Kitchen, and thought it would add some character to
the joint.
Yet, in the days following
the receipt of the invitation, the old man found himself often wondering about
the bar in the Tap Room of the Kittle House. One morning while sipping his coffee,
he realized that if it was that bar,
its present location was quite fitting. Arthur would have liked that the bar
had moved beyond the confines of the Bronx, as he himself had done. There had
always been something about Westchester that had appealed to Arthur. It was the
Shangri-la of his earliest days, the pot of gold at the end of his rainbow,
before he discovered other places that outshone the suburban palaces of Westchester
County.
After all, in those
golden days of their ascent, wasn’t it his habit in a tight spot to offer up a
home in Westchester in lieu of hard cash or on top of it? And hard cash never
knew a more loyal disciple than Arthur. When they shot Danny Iamascia on the
corner of 102nd and Fifth and got the drop on Arthur, hadn’t he offered those
lousy bulls a house apiece if they would let him walk? Later on, when Vincent
went off on his own and was driving everyone nuts, hadn’t the old man been
standing right there when Arthur walked into the detectives’ squad room of the old
Morrisania police station and said, “Look, I want the Mick killed. He’s driving
me out of my mind. I’ll give a house in Westchester to any of you guys that
knocks him off.”
Yes, Arthur would have
liked to have known that he had a bar serving the swells up in Westchester. If
it was his bar.
And so the old man went to the wedding.
At the inn the valet, a
young man in black trousers and a red blazer, helped the old man out of a cab. The
old man thanked him, then gently patted down his thighs to smooth out the
wrinkles in the fabric of his 3-piece suit. When he was done the old man put
his fedora back on, tilting it far too rakishly for a man of his years. Then he
gave the Kittle House a good once-over before he stepped into the foyer.
As his eyes slowly
adjusted to the dark interior, he saw a bored blonde seated on a stool behind
the front desk. Behind the desk was a short hallway leading to a large dining
room on one side and a narrow staircase leading to the rooms above on the other.
A large window at the back of the dining room looked out on the roof of an atrium
and the garden behind it. To the old man’s left was a smaller dining room that
he barely glanced at. He was already smiling when he turned toward the dark
expanse of the barroom to his right.
“Can I help you?” the
young girl asked from behind her desk, which was framed by a collection of burnt
orange leaves. Two large pumpkins, ornately carved with intricate floral
patterns, were stationed at each end of a shelf behind the blonde.
“I’m here for a wedding,
but I might be early,” the old man suggested. He redirected his smile towards
the beautiful girl.
“Would it be alright if I waited at the bar?”
“Oh, certainly. You can
go right in. I think the bartender is helping to set up downstairs, but I’ll go
get him.”
“Don’t trouble yourself,”
he said pleasantly. He walked toward the barroom, and as he shuffled off he could
hear the blonde somewhere behind him, her kitten heels clicking loudly against
the wood floor.
He had seen the apex of
the bar, its triangular wood centerpiece, from the moment he had peered into
the cool darkness of the room from the hallway. The old man had smiled then and,
unable to shake it, he had let the smile loose upon the blonde which was
something he hadn’t done in many years, blondes being a vice he had abstained
from for many years. He had smiled because there it was, the sturdy mahogany center
and its accompanying wing sections, the mirrored back of the shelving, the long
bar and the handrail with its unpolished bronze end-pieces that looked like
cannonballs. Just above the floor, he spied the footrest which gleamed
majestically in the half-light of the cozy little room.
The only thing missing
are the hand-towels, the old man thought to himself as he walked the length of
the bar-top. He inspected the surface with his right hand until it came to rest upon
the only real blemish in the lustrous, aged patina of the oak, just to the
right of the brass end-piece at the far end of the bar. In the intervening
years, the mark, roughly four to five inches long and about as wide, had been
polished and buffed with such regularity that it looked as if black ink had
once been spilled there. The old man bent his head directly over the mark and
stared at it. He felt a twinge of nausea for a moment, a fleeting memory from that
long-ago day when the blood flowed freely from his nostrils down on to the top
of Fanny’s bar, courtesy of a tough bull named Broderick.
After a while, the bartender
came in from the garden.
“Sorry, mister,” he said
to the old man. Then he ducked down and reappeared behind the bar,
appropriately flanked by the bottles of spirits stacked on the shelves behind
him. “What can I get you?”
“Whiskey.”
The bartender opened a
bottle and poured the drink. The old man took a sip and sighed contentedly.
“You know,” he said to
the bartender as he set the glass back down on the bar. “The last time I was at
this bar, I was maybe 18, 20 years old.”
“I didn’t know this place
was that old. No offense.”
“None taken. It isn’t.
Well, I don’t know how old this joint is. I don’t mean here. The bar was
someplace else then. South Bronx. Third Avenue. I worked for the owner.”
“South Bronx? That’s
pretty rough these days.”
“Pretty rough then, too,”
the old man said as he took another sip of the whiskey and surveyed the bar once
more. “But we made out alright.”
“You sound like my
father,” the bartender said. “He used to talk about Hell’s Kitchen like it was
Great Adventure. A thrill a minute. Swimming in the Hudson, busting heads on
the West Side piers. Crazy stuff. The good old days, the way he tells it.”
“It’s all great when
you’re 25,” the old man said. He gave the younger man a wink and finished his
glass.
“So what about you? What
were you doing back then?” the bartender asked.
“Me? I was a book-keeper,”
the old man said.
The young man chuckled.
“I thought you said you worked in a bar.”
“I did. But this guy I
worked for had his hand in lots of different things. So I did, too.”
“Sounds like he kept you
busy.”
“That he did,” the old
man said. He stared down into the empty glass. “He died before his time, a long
time ago.”
“Sorry to hear that.”
The old man shrugged.
When he looked up at the bartender, the smile had returned.
“Yep,” he said. “All in
all, he was a pretty good pretzeler, though.”


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